Is Giant Steps hard bop?

‘Giant Steps’ At 60: Why John Coltrane’s Classic Hard Bop Album Is More Than A Jazz-School Worksheet.

Why is Giant Steps so good?

Recorded in 1959 and released in 1960, “Giant Steps” is iconic in part because it contains the first-issued recording of one of Coltrane’s most important compositions, also titled “Giant Steps.” It is also significant because it was Coltrane’s first LP to be released that was comprised solely of his own compositions.

How many beats per minute is Giant Steps?

That’s because “Giant Steps” is played at 260-300 beats per minute, depending on which take you use as your model. Standard rock hovers around 120 beats per minute; punk ramps it up to a range of 140-200 beats per minute.

Did John Coltrane know music theory?

Despite the depth of his study, Coltrane spoke very little on musical theory. His knowledge in the field is reflected rather more in his legendary compositions.

Was Coltrane influenced by Charlie Parker?

An important moment in the progression of Coltrane’s musical development occurred on June 5, 1945, when he saw Charlie Parker perform for the first time. In a DownBeat magazine article in 1960 he recalled: “the first time I heard Bird play, it hit me right between the eyes”.

Is Giant Steps tonal?

Notice that in Giant Steps the three tonal centers are: B Major, G Major, and Eb Major.

Does 4 4 have giant steps?

Giant Steps is played at 148 Beats Per Minute (Allegro), or 37 Measures/Bars Per Minute. Time Signature: 4/4.

What songs use Coltrane changes?

Although “Giant Steps” and “Countdown” are perhaps the most famous examples, both of these compositions use slight variants of the standard Coltrane changes (The first eight bars of “Giant Steps” uses a shortened version that does not return to the I chord, and in “Countdown” the progression begins on ii7 each time.)

What is the Coltrane tone circle?

Known as “The Coltrane Circle” or “Coltrane’s Circle of Tones,” the diagram is based on the circle of fifths which, in musical theory, is a geometric representation of the relationships between the 12 semitones of the chromatic scale, their notations (flat or sharp), and their relative shades.