What are the forms of Baroque?

Popular Baroque musical forms include the prelude and fugue, the cantata, the concerto, the oratorio, the sonata, and even opera. Like prior Renaissance compositions, many Baroque pieces have religious themes.

What was the basic Baroque Orchestra?

The Festive Basic Baroque Orchestra contained violins (divided into two groups, called violins 1 and violins 2), Violas, Cellos and Bass viol (playing the same music as the cellos an octave lower. To this was added 2 oboes, 3 trumpets, 2 timpani (kettledrums) and a keyboard instrument, generally a harpsichord.

What did the Baroque Orchestra consist of?

Generally, the Baroque orchestra had five sections of instruments: woodwinds, brass, percussion, strings, and harpsichord. The strings or harpsichord almost always carried the melody, with brass and woodwinds providing the harmonies.

What are the three types of Baroque concerto?

Concertos of both types generally have three movements – fast, slow, fast.

What do you call a form of orchestral music during Baroque period?

concerto grosso, plural concerti grossi, common type of orchestral music of the Baroque era (c. 1600–c. 1750), characterized by contrast between a small group of soloists (soli, concertino, principale) and the full orchestra (tutti, concerto grosso, ripieno).

What were the first orchestras of the Baroque era used for?

Baroque Orchestra (1600-1760) The woodwind and brass were used as melodic instruments but later they were mainly used to sustain the harmony. In the baroque period, the orchestra was not standardised in size.

How many and what type of instruments were part of a Baroque orchestra?

This typically comprises some 16 first and second violins, 14 violas, 14 cellos and 8 – 10 double basses. However these numbers are sometimes reduced when playing 17th century pieces to simulate a 17th century orchestra.

What type of orchestra music is played during the Baroque period?

Answer. Concerto grosso, plural concerti grossi, common type of orchestral music of the Baroque era (c. 1600–c. 1750), characterized by contrast between a small group of soloists (soli, concertino, principale) and the full orchestra (tutti, concerto grosso, ripieno).