Where is makossa music from?
Where is makossa music from?
Cameroonian
Makossa is a type of Cameroonian pop music that is built on Congolese rumba, funky electric bass guitar, and a brass section. The term “makossa” comes from the Douala word for “dance.” It has enjoyed long-standing popularity on the dance floors of Cameroon, West Africa, France, and the French West Indies.
What language is Soul Makossa?
Duala
Except for some words in English, it was written in Duala, a native dialect continuum from Cameroon. Manu Dibango later recorded a new version for his 1994 album Wakafrika, titled “Mouvement Ewondo”.
Who Invented High Life music?
Burger-highlife music, pioneered by George Darko and others, features elements of 1970s German techno music. Hiplife features many aspects of American hip-hop and has helped make British-Ghanaian rapper Reggie Rockstone a star in West Africa.
What is the meaning of Makossa?
(I) dance
Makossa, which means “(I) dance” in the Douala language, originated from a Douala dance called the kossa. Emmanuel Nelle Eyoum started using the refrain kossa kossa in his songs with his group “Los Calvinos”. The style began to take shape in the 1950s though the first recordings were not seen until a decade later.
What does mama sa mama coo sa mean?
Makossa roughly means “dance” in the Douala language of Cameroon, and the phrase is believed to have come from the brain of Manu Dibango, who released the song ‘Soul Makossa’ in 1973 featuring that familiar chant, which basically just plays with the word makossa rather than having any actual meaning.
Who is first musician in Ghana?
The most influential early burgher highlife musician was George Darko, whose “Akoo Te Brofo” coined the term and is considered the beginning of the genre. Burgher highlife was extremely popular in Ghana, especially after computer-generated dance beats were added to the mix.
Who started music in Ghana?
The constant influx of Europeans since the 15th century introduced the indigenous population to hymns, shanties, and marches, and as the Ashanti people organized and attempted the uprising which resulted in the War of the Golden Stool, a musical tradition was born, and the seeds of Ghana’s identity were sown.