What term does David Hockney use to describe his photo collages?

In the early 1980’s, English painter David Hockney began creating intricate photo collages that he called “joiners”. His earlier collages consisted of grid-like compositions made up of polaroid photographs.

What was Hockney trying to achieve with Joiner images?

David Hockney Interested in how 3-dimensional space can be portrayed in a 2-dimensional image. Joiners aimed to create an image that was able to show reality how we experience it (in fragments, not as a whole), and to show the passage of time.

What kind of camera did David Hockney use?

From 1999 to 2001 Hockney used a camera lucida for his research into art history as well as his own work in the studio. He created over 200 drawings of friends, family, and himself using this antique lens-based device.

Why does Hockney make collages?

Allowing for movement and fluidity in perspective Hockney believed these pieces were closer to how the eye actually sees, whereas one image, taken by a lens from just one angle, cannot come anywhere near the physical perception of a person, object or scene.

What does the word photomontage mean?

Definition of photomontage : montage using photographic images also : a picture made by photomontage.

What is photomontage in art?

Photomontage is an artistic practice that has endured almost since the birth of photography itself. At its most basic level, the photomontage is a single image combined of two or more original and/or existing images.

Why did Hockney create joiners?

The idea of joiners came to Hockney accidentally. Once he was to paint a terrace and living room in Los Angeles, so he happened to make Polaroid images of the living area and later glued the photos together.

What technique does Hockney use?

Hockney was one of the first artists to make extensive use of acrylic. Being fast drying it suited his technique of painting large areas of flat colour and then adding details.

What inspired David Hockney to create paintings?

He loved books and was interested in art from an early age, admiring Picasso, Matisse and Fragonard. His parents encouraged their son’s artistic exploration, and gave him the freedom to doodle and daydream.