How do you use parametric EQ for vocals?

Best EQ Settings for Vocals

  1. Roll off the low-end starting around 90 Hz.
  2. Reduce the mud around 250 Hz.
  3. Add a high shelf around 9 kHz & a high roll off around 18 kHz.
  4. Add a presence boost around 5 kHz.
  5. Boost the core around 1 kHz to 2 kHz.
  6. Reduce sibilance around 5 kHz to 8 kHz.

What dB should vocals be in a mix?

-18dB
If you mix them too loudly, they will stick out. What dB should vocals be recorded at? You should record vocals at an average of -18dB for 24-bit resolution. The loudest parts of the recording should peak at -10dB and be lowest at -24dB.

What are good compressor settings for vocals?

Here are my go-to compression settings for vocals:

  • Ratio: 1.5:1.
  • Attack Time: 15ms (but up to 30ms for more punch)
  • Release Time: 40ms.
  • Threshold: -24dB.
  • Gain Reduction: 2-3dB.
  • Knee: Soft.
  • Makeup Gain: 2dB.

Which EQ is for vocals?

The bus EQ is where you’ll want to shape the overall sound of your vocals—namely high- and low-end. Pay careful attention to muddiness in the lows, anywhere between 100 and 300 Hz depending on the voice. Generally speaking, cutting around 250-300 will clear things up, as you’ve already filtered somewhere around 100 Hz.

How do you set a parametric equalizer?

Click and drag the points to easily set the frequency position and gain value. Hold down shift while clicking and move the mouse left or right to adjust the Q-value. You can also change the Q value with mouse scrolling. Double click a band point to reset it to its default value.

Should vocals be louder than beat?

Summary. To recap: In general, your vocal level should be lower than the drums, but louder than the instrumentation. Vocal mixing to a professional level however, requires more nuanced decisions than that, to get your vocals to sit right.

What dB should my master be?

So long as your mixes give the mastering engineer room to work, and cover your noise floor, then you’re in a good range. I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB.

What does a parametric EQ do?

The parametric EQ is a mainstay of recording and live sound because it offers continuous control over every parameter. A parametric equalizer offers continuous control over the audio signal’s frequency content, which is divided into several bands of frequencies (most commonly three to seven bands).

Why use a Fairchild 670 to record vocals?

The vocal was recorded through an AEA A440 microphone and run into an old Akai M-8 tape machine preamp to create the distortion effect as well as compress the vocal. So, using the Fairchild 670 was less about controlling the dynamics of the singer and more about bringing out certain characteristics of the vocal sound.

What is the variable on a Fairchild 660?

The FAIRCHILD 660 or 670 allow a variable from .3 of a second to 25 seconds, conveniently available on the front panel in the form of a 6-position switch. 4. Can be used as a limiter or a compressor depending on the program material and personal preference.

What are the settings on the Fairchild 670 mix bus?

Here are the settings on the mix bus for the Fairchild 670. I Increased the Headroom and setup a Sidechain filter at ten o’ clock. The Mix control is at about 75 percent and the Time Constant at five. There is more aggression and yet cohesion to the entire mix, and the whole thing is glued together.

What is a Fairchild 660 compressor?

Terms & conditions apply. Throughout the vinyl era, the original Fairchild 660 and 670 compressors were ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound.