How did Merce Cunningham use technology?

In the 1990s, Cunningham pioneered the use of the computer as a choreographic tool. The software DanceForms could model and animate the human form, allowing Cunningham to visualize sequences and phrases of dance on screen, which he would then translate to a dancer’s body.

What was the influence of composer John Cage on Cunningham’s creative process?

As Cage adopted chance operations in his music, tossing coins to determine the pitch, volume and duration of sounds, Cunningham realized he could also use a coin toss to order sequences of steps and numbers of dancers, and revolutionize his field.

Who collaborated with John Cage?

Merce Cunningham
John Cage and Merce Cunningham, partners in all senses of the word: life, love, and work, began their partnership in the 1940s. Their creative collaboration was consistent until Cage’s death in 1992.

Who created Graham technique?

Martha Graham
As a dancer and choreographer, Martha Graham broke the rules. She created a dance technique that, along with her groundbreaking choreography, helped spark the revolution known as modern dance.

Who did Merce Cunningham collaboration with?

Rauschenberg’s collaborative relationship with choreographer Merce Cunningham began in 1952 when they participated in an untitled event, referred to as Theater Piece No. 1, organized by composer John Cage at Black Mountain College, North Carolina.

What is chance technique?

development by Cunningham emotional implications, Cunningham developed “choreography by chance,” a technique in which selected isolated movements are assigned sequence by such random methods as tossing a coin.

When did Cunningham start choreograph?

Encouraged by Graham, Cunningham began to choreograph in 1943. Among his early works were Root of an Unfocus (1944) and Mysterious Adventure (1945).

Which composer challenged traditional tonal sounds by composing music that included chance noises non musical sounds and silence?

Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of aleatoric or chance-controlled music, which he started composing in 1951.